Plated Purple Frost Platter-Brunch

We often have brunch together. It is often our main meal of the day. 
This picture features a turkey, mushroom  and Swiss cheese omelet topped with homemade guacamole. This omelet is made for two people. We divide the omelet and add tomato and avocado garnish. 
The potatoes are scrubbed, pierced and microwaved. We cool the potatoes, slice them a little thickly leaving their skins on. We add them to a medium hot frying pan sprayed with a vegetable oil cooking spray. We spray the tops of the potatoes and turn them, once they are browned and crispy. The potatoes have a home fry taste but without all the extra oil. They are light and tasty.

Celebrating Fuctional Pottery and Food

A warm hello to everyone,

I am Claire Delffs, I am an Oregon Potters Association Member. 

I have been making an creating pottery for over 30 years and my business name is Moonfire Pottery.  

I will be blogging about Ceramic Showcase’s 2013 Theme   "Celebrating all things Food". 

Ceramic Showcase is teaming with Chefs in the Portland area and celebrating the artistry of food and the beauty of functional handmade pottery.

I have been cooking since I was twelve. My mother had to leave us in Minnesota and take care of her mother in Florida, who was ill. I found that I was blessed with an inherent knowledge of cooking, so creative cooking came very easy to me. After my mother got back, I would often help her in the kitchen. Later on, my mother went back to work and as a teenager, I often shopped and cooked for my blended family of seven. As an adult, I do most of the cooking for our family. It is a real treat though, to enjoy a meal when my husband cooks, I do love eating other people’s cooking. It is great fun to sample all the wonderful dishes at an OPA potluck meeting.

Much to my husband Bill’s chagrin, I rarely follow a recipe, which means that I can’t exactly duplicate a really good meal. After 20 years, he is still lamenting my inability to duplicate a wonderful tamale casserole I made for him. On the up side he loves food and in between making lots of pottery, we often sit down to some pretty good meals. He has been inspired many times to become a creative cook himself.

This brings me to Our Ceramic Showcase theme,"Celebrating all things Food".  The theme of functional pottery and food is a natural occurrence in Bill and my everyday lives. We are potters and we love the aesthetics of both pottery and food.

Often our pottery forms are inspired directly by our love of cooking.
We love pottery that is functional and comfortable for everyday use and is pleasing to the eye, with or without the addition of food or drink. 

I have cooked and plated food on our pottery. I have taken pictures and I am sharing these pictures in this blog along with my recipes.
I have made an effort to standardize my recipes, but like me, feel free to experiment.

Enjoy!

Claire Delffs
Moonfire Pottery
Oregon Potters Association Member

Not much of our design is visible , but this is our hand painted red rim thistle dinner oblong plate. We have a 1000 square foot pottery studio in our backyard and We are fortunate to work at home. We often have a mid day brunch as our main meal.

This brunch meal for 4 is fairly quick and easy. 

I scramble 2 eggs and 1/2 cup egg whites (from the carton). I let the eggs mostly "set" in the pan before I gently mix them up, we like large fluffy scrambled eggs to fill our soft tacos.

We make a quick 3 bean casserole. I coarsely chop a large peeled onion, spray a frying pan with vegetable cooking spray, add the onions, lightly spray the chopped onions and saute the onion over medium high heat with the frying pan lid on. The lid on the frying pan helps sweat the onions and keep them from burning. I add a little water if the onions begin to stick. I frequently stir the onions until they are medium  browned and caramelized. 

I use 3 cans of different colored  beans.

This time the three types of beans I used are a can each of, black beans, white cannellini beans and pinto beans. I add the caramelized onions, a can of green chilies and a heaping teaspoon of Southwest seasoning. We mix the beans with the seasonings and microwave the casserole for 3-5 minutes.

We heat up tortillas in a tortilla warmer in the microwave.

We add our favorite garnishes, tomatoes, avocados, red peppers, green onions, cheese, sour cream, etc. 

We fill our tortillas with scrambled eggs, beans and garnishes for a yummy vegetarian soft taco brunch. 

Local Art Shows

Many OPA members hit the Art Show circuit in the Summer and this year is no exception.

This weekend you will find quite a few of our members showing and selling their work at the Lake Oswego Fine Art & Craft Faire.  The Faire opens Friday, June 22nd and will run through Sunday.

OPA members participating are:

Debra Nelson

• Laura Cooke
• Gil Harrison
• Linda Heisserman
• Carol Lebreton
• Kristy Lombard
• Debra Nelson
• Steve Provence
• Rabun Thompson

This is a great show with great art, live music, food & drink.

I've heard that there is a chance of rain this weekend but don't let that stop you!  We'll start our rain dance now to keep the drops away.

Good luck to all of our fellow members - we hope you have a great show!

Three Days and Counting

The Year is 2010 and Margaret Synan-Russell is the President of the OPA and Brenda Scott is the Chair of Ceramic Showcase.

And the Best of Show 2010 is Jim Koudelka.

Best of Show 2010
Jim Koudelka

"My work is ultimately a reflection of my creative response to materials and processes, images and ideas.

I have an interest and involvement with a vessel format that is influenced by architectural, mechanical and industrial images.  The pieces I create display the actual or implied function of containers or devices extracted from primitive to contemporary times.  My intent is to interpret and display the essence and qualities of these images through my art work and create a dialogue to the viewer through it.

Process and materials also play an important role in the development of my work.  I allow the ceramic, glass and or metal materials and their processes to maintain a voice in the choices of design, physical construction, surfacing and final viewing of the pieces."

In 2010, the OPA family experienced the loss of one of our founding members, Dave Enna.  Dave served as the President of OPA in 1983 as well as serving as the first Chair of Ceramic Showcase.  Dave committed many years to the OPA Board and served on many committees for Ceramic Showcase.

This was written about Dave in the Sandy Post : 

“Not many people have the courage to think they can make a living with their hands,” said Sue Enna. “He wanted to encourage that.” ... Enna might have been the typical “hippie-dippie” artist of his day return- ing from military service in during the Vietnam War, growing a scraggly beard and sitting in a dirt-floored Gresham garage to make things out of clay. “His father said, ‘That’s nice, but how will you make a living?’” remembers his wife. But the Ennas did make a living and a name for themselves as potters. In the mid-70s they moved from Gresham to Brightwood, not to dropout, but to be community members. Enna served 13 years on the Sandy High and Welches school district board, now the Oregon Trail School District. He was a founding member and president for two years of the Oregon Potters Association and for 13 years was an active member of the Gresham-Ebetsu Sister City Associa- tion. The latter cause took the Ennas to Japan 11 times, where they were partnered with the family of an Ebetsu pot- ter. “It (Japan) was our adopted home,” Sue Enna said. “Two weeks before Dave died the family came from Japan to see him.”

In the last few days of Dave's life, his family was able to bring the wedding ceremony of their son to the hospi- tal. He very much enjoyed being a part of the wedding and also the recent visit of the Kanai family from Hokkaido.

This year we will honor the memory of Dave as well as all of our OPA members that are no longer with us, in a special Memorial Tribute adjacent to the Lobby Display. 

The 30th Anniversary Ceramic Showcase opens its doors on Friday, May 4 at 10am.  

Come join the celebration!

Nine Days and Counting

The Year is 2009 and Victoria Shaw is the President of the OPA and Beverly Curtis and Brenda Scott are the Chairs for Ceramic Showcase.

In 2009 the International adventure continued with OPA members traveling and exhibiting in Hokkaido, Japan.  Many members took side trips throughout Japan.  One side trip found Jim Johnstone and his wife in a tiny village that literally was closed but thanks to the kindness of strangers, found a room for the evening and a small pottery where Jim was surrounded by the works of Shoji Hamada.  Jim recounted this story at an OPA General meeting, and to hear the tone in his voice and the sparkle in his eye, you knew that he had experienced a life changing moment.  And when he unwrapped his little treasure, his delight was as evident then as it must have been in that tiny village pottery.

And the Best of Show 2009 was Penelope Dews.  I asked Penelope about the evolution of her work and this is what she wrote:

Best of Show 2009
Penelope Dews

"The idea for this piece evolved over a number of years.  I would make changes to the bird and the energy of the piece, but, the feeling I was searching for kept eluding me.  What ultimately made this idea come alive were two things, we adopted a cockatiel and having a live bird in the home changed my way of looking at birds, and I had seen an image on a calendar of a small bird singing its heart out.


The piece was made using a modified coil method.  Short fat coils, flattened into short slabs about 2 - 3 inches tall, and attached to a slab base.  The bird was added last and is hollow, using clay "flying buttresses" to hold it up until it was stiff enough to stand alone.  Then the supports were cut away.  The piece was anagama wood fired on a top shelf about a third of the way back in the kiln.  Placed with its back to the firebox, so not too much ash would fall on the birds face, and potentially obstruct it's features. The added bonus was the shape the flame made up the back of the piece during the firing."


The 30th Ceramic Showcase opens on May 4, 2012 at 10am and runs through Sunday, May 6.  This year's Ceramic Showcase will celebrate our 30th Anniversary with a weekend full of art, music and camaraderie.  We hope you will join us as we welcome back many of the artists that participated in the 1st Ceramic Showcase.  Live music will happen Friday and Saturday evenings featuring Lynch Mob, Mo Mac and Mood Area 52.  There will also be live music throughout the weekend performed acoustically by local area high school students and musicians.  Our Demonstration Stage will be busy all weekend, Adult and Children's Clay areas if you feel the urge to get your hands dirty, local beer,wine and spirits featured at our no-host bar and last but certainly not least the ceramic work of more than 200 local ceramic  artists.  Find that beautiful cup to enjoy morning coffee, a bowl to grace your table, sculpture to enhance your home and come meet and talk to the artists that have created this amazing work.

We hope to see you in just 9 short days.

(Can you hear the kilns of the Northwest just fire up?)

Three Weeks and Counting

The year is 2008 and the OPA President is Larry Nelson and the Chair of Ceramic Showcase is Beverly Curtis.

2008 was a very international year for the Oregon Potters Association.  We welcomed a delegation of potters from Hokkaido, Japan who participated in events at Ceramic Showcase as well as the Japanese Garden.  The 15 Hokkaido potters brought with them a breadth and diversity of clay techniques and styles which they shared through demonstrations during Ceramic Showcase.  An integral part of the OPA's mission is to provide public educational opportunities in the art of clay.  Although many did not share a common verbal language, the dialogue through clay was extensive.  Through this exchange, 28 OPA members were juried into a show in Sapporo, Japan.

In addition to the Hokkaido exchange, 3 OPA members traveled to El Salvador in February on a volunteer mission to teach art to children.  Artists taught paper making, mask making, book making, weaving and textiles.



And Best of Show 2008 is Karen Washburn.

Best of Show 2008
Karen Washburn

Poster Award 2008
Alan Higinbotham

And The Poster Award for 2008 is Alan Higinbotham

Four Weeks and Counting

The year is 2007.  Natalie Warrens is the President of the OPA and Ginger Steele and Beverly Curtis are the Chairs for Ceramic Showcase.

And Best of Show 2007 is Dennis Meiners.  You may recall from an earlier posting, that the Best of Show award was bestowed on Dennis in 1993.

I asked Dennis about his creative process and the evolution of "Crashing Horse Teapot" and this is what he had to say:

Best of Show 2007
Dennis Meiners
"Crashing Horse Teapot"

"Prior to making 'Crashing Horse Teapot' in 2007, I had been painting or drawing falling or fallen horses, mostly on clay, for several years, after noticing how interesting an upside down horse is to me both aesthetically and metaphorically.  Horses have been used in painting and sculpture, mostly right side up, as metaphors for humans and our strife and striving going back to the caves, it can be argued, and I've always been fascinated with them.  I've never owned a horse or even had much of a relationship with one, but they seem so mysterious.  Why some of them allow humans to run their lives is beyond me.


In the early 'aughts' I had also made a few stump teapots with horses in one predicament or another, mostly having fallen, and serving as finials on lids.  The stump teapots were, and still are to some extent, my main outlet for my thoughts and feelings about social and political issues, but in the winter and spring of '06-'07, I decided to take a stab at using only the horse, still as a teapot, and see what might happen.  The 'Crashing Horse Teapot', which was the 3rd or 4th attempt in that series, came about when I had the horse fall into a ring of upside down and jumbled houses, the houses having been an image I had used for about 20 years previously in many different ways, and which I haven't used much since.  Neither have I used the fallen horse much, and I wonder about that.


Given the chaos which seems to be rising all around us, it seems like the falling, fallen, crashed, jumbled, upside down images would be everywhere in my recent work, but they are not.  Perhaps, paradoxically, I've reconciled myself with the world somehow, and found a kind of peace.  It's intriguing and humbling to look back on my work and find out things have been happening to me which I hadn't noticed despite the fact the changes have occurred literally right in front of my eyes.  Not the first time for that realization.  As a person who daily tries to make art, I get to learn once more that the work I produce is a record of where I've been and who I am becoming."

The Countdown to Ceramic Showcase continues

The year is 2006 and the Chair for Ceramic Showcase is Ginger Steele and the President of the OPA is Mark Heimann.

2006 was a big year for the ceramics community in Oregon as it played host to NCECA.  The entire arts community opened its doors and welcomed ceramic artists from around the world.

And at Ceramic Showcase, we opened our doors to Habitat for Humanity as a special guest. Leading the way in efforts to create affordable housing both along the devastated Gulf Coast and here in our own city, Habitat for Humanity conducted a pottery auction to raise money to complete a home for New Orleans, and raise awareness of their national and local efforts.

Best of Show 2006
Hsin-Yi Huang

And Best of Show 2006 is Hsin Yi-Huang.  As you remember, Hsin-Yi also received this honor in 2002.


Hsin-Yi Huang’s ceramic work is motivated by the need for self-examination. It is a tool she uses to visually express the encounters she has had with people and the events that occur around her. Huang draws references from organisms found in nature. She is attracted by their fragility as well as their strength; for example, “flowers are about the most delicate objects I know, yet I find the life they portray to be unquestionable. I use such contradictions to represent different possible perspectives of truths in life. As I form my work, every decision I make clarifies for me who I am and why I chose one path over another.”  Her preferred medium is porcelain. Enamored by its whiteness and translucency, she is also intrigued by its strength even when worked to paper-thinness. The use of dark glazes on the porcelain body creates a contrast that helps accentuate textures and edges, joints and intersections, overlapping layers and even the shallowest of recesses.   

Five Weeks and Counting

The year is 2005 and the Chairs of Ceramic Showcase are Natalie Warrens and Ginger Steele and the President of OPA is Larry Nelson and this little nugget of wisdom was written in the member newsletter:


"An elderly Chinese woman had two large pots, each hung on the ends of a pole which she carried across her neck. One of the pots had a crack in it while the other pot was perfect and always delivered a full portion of water. At the end of the long walk from the stream to the house, the cracked pot arrived only half full. For a full two years this went on daily, with the woman bringing home only one and a half pots of water. Of course, the perfect pot was proud of its accomplishments. But the poor cracked pot was ashamed of its own imperfection, and miserable that it could only do half of what it had been made to do.

After 2 years of what it perceived to be bitter failure, the cracked pot spoke to the woman one day by the stream: "Old Woman, I am ashamed of myself, because this crack in my side causes water to leak out all the way back to your house." The woman smiled and replied, "Cracked Pot, did you notice that there are flowers on your side of the path, but not on Perfect Pot's side? I have always known about your flaw, so I planted flower seeds on your side of the path, and every day while we walk back, you water them. For two years I have been able to pick these beautiful flowers to decorate the table. Without you being just the way you are, there would not be this beauty to grace the house"


-Author unknown

And Best of Show 2005 is Babette Harvey.  I asked Babette her process and where she drew her inspiration and this is what she wrote:

Best of Show 2005
Babette Harvey

"My art is an expression of thoughts and feelings regarding the relationship of humanity to nature.  I suppose it is an environmental statement.  I believe we need to make serious changes in how we live on this planet and how we think about the natural environment.  Through my art I hope to add a voice for envirnomental stewardship of this beautiful planet.


This figural piece was made at a time when I was exploring the idea of morphing the human figure into something which shows our kinship with other creatures in the natural world.  This human is shedding her skin and becoming the nature bound creature hidden under her human facade.


Her legs are joined in a spiral of shell, feathers, and dragonflies.  One shoulder becomes a nautilus and the other is beginning to take shape of a bird.


Maybe she'll find that she has wings to fly!"

Six Weeks and Counting

The year is 2004 and the Chair for Ceramic Showcase is Natalie Warrens and the OPA President is Anne Stecker.  2004 proved to be a year of loss for the OPA; longtime member Chris Gum past away and this beautiful remembrance appeared in the newsletter:

CHRIS GUM: 1952-2004

To our great sadness, we have lost our friend and fellow potter, Chris Gum. Chris has been an OPA member for 23 years. He has been on the board of both OPA and Showcase and has often been the voice of reason (sometimes to all of our chagrin) amidst chaos. Chris died in his home of unknown natural causes on June 29th. A Memorial Potluck was held at the home of Linda Owen and Craig Martell on July 18th.


Chris is survived by his father, Robert, and his sister, Karina, both of California. Just as importantly, he is survived by Patty Cirello and her children: Sally, Angie and Joseph of Corvallis, who from his college days together made him a part of their family. He is also survived by his good and close friend, Nancy Hart, who will perhaps miss him most of all.


Chris made beautiful pots, and for many years he dug his clay from local stream banks and collected local feldspars and other materials for his glazes. His work was very careful and methodical. Efficiency was never a concern for him, he would rather be true to his work and its process. Chris’s work was well known by potters and art appreciators alike, although Chris never wanted to be a famous person. Chris chose to move through this world quietly and modestly, doing his share of the work without demanding too much of the spotlight.


Chris had a passion for gardening. He probably felt that laundry sorting and truck washing were overrated, but he always took exquisite care of his plants. He was a good listener and never hesitated to express his opinions.


In recent years, Chris avoided attending OPA Meetings (why deal with petty bureaucracy?), but he almost always came to Portland to visit his friends (the most important part of this group) on the days we held our meetings and thus we could all spend time with him. He was a wonderful friend and his sudden death has affected the entire pottery community in Oregon. We will all miss him terribly. (thank you to Ellen Currans, who presided over the Memorial Service, and to Anne Stecker, both of whom provided some of these words)


And Best of Show 2004 is Ron Linn.  This is what Ron had to say about his process:

Best of Show 2004
Ron Linn

"Our lives are systematically constructed from repetitious moments both unique and mundane. In isolation they may seem remarkably unremarkable and easily dismissed. Tethered by time, they teach and transform, creating who we are and who we are becoming. This notion that our lives are bound by an underlying geometry, hidden patterns, and layered meanings, is a recent preoccupation that informs much more than just my work.

My process, in rhythm with these materials, creates artifacts whose intention is to emphasize and place into foreground the consequence of daily living, stand as metaphor of events planned-for and unsolicited. Drawn into this collaboration the objects become a secondary witness to all contributors, a testament, a reflection of their inspiration and existence."