
Saturday, May 14, 2011
A Major Success for Clay in Education

Tuesday, April 19, 2011
Meet an OPA Member: Frank Gosar
Monday, April 4, 2011
Remember to Play!
I remember one of my first conversations with Nils Lou. I knew he had a vast amount of knowledge and experience in the ceramic world, and I wanted to elicit some invaluable advice. I was trying to explain to him what I wanted to do with my ceramic work. I wanted to do something fresh and new; I wanted to do things that hadn’t been done. This can be a difficult thing to achieve in an art form that has been around for so many thousands of years. At that point, I was unable to properly explain what I wanted to do with my work, and Nils thought that perhaps fame, or making a name for myself was what I wanted.
Time went on as I continued talking with Nils at whatever chance I had; and I caught wind of a new book that Nils had recently written entitled “The Art of Play”. I bought it as quick as I could, and within a few days had completed the book. As I read I fell more and more into the book, realizing that this was in fact (though perhaps an unintentional) the answer I was seeking to the question that I could not even properly formulate.
I’ll cut straight to the point. I had come to a place in ceramics where I could no longer ignore the line between work and play. I could make plenty of mugs, plates, or whatever, but it started to feel like work. I would think to myself, “I don’t want to make mugs right now”, and then that is exactly what I would do. I wanted to create my own work from a place within myself, and be concerned more with the act of creation than the end product.
“The Art of Play” speaks directly to this issue. Nils explains the importance of creative play, as well as how so many of us may have forgotten to do so. By focusing on the creative activity of play, we no longer become blocked by an end product we have already envisioned in our mind. We free ourselves from normal constraints we might carry into our creative lives. Nils is conveying a message that many of us may benefit from, myself certainly included.
This is of course, a meager attempt to summarize an inspirational concept Nils conveys. If you wish to get to the meat of “The Art of Play”, I suggest giving it a read. I also understand that as creative artists we cannot simply do away with making products that will be well accepted by the public, or by making series of mugs and so on. I suggest rather (and am still searching for), a balance between the two. A balance between creating a genuinely unique piece of art that is playful and functional. I suggest that we see the importance of taking some time to play while forgetting the rules and ideas of salesmanship, that we take a risk and start to make something that we have no idea of how it will turn out.
If it strikes your fancy, give it a try. It might be neat to see what happens, or even to share it with others.
Tuesday, March 29, 2011
Ceramic Showcase highlighted by Alaska Airlines
Friday, March 25, 2011
In the Press
Thursday, March 24, 2011
Ceramic Artists Respond to the Crisis in Japan
The astoundingly destructive events that occurred along the Northwest coast and inland communities in Japan to which we awoke on the morning of March 11, 2011 fill us with grief. The images coming to us via television and internet are so vivid, devastating and heart-wrenching. Our hearts go out to the survivors even as they stoically deal with days on end of uncertainty and confusion. Many of us involved in NCECA and the broader realm of ceramic art hold a special affinity for Japanese culture. Of even greater and more intimate impact, many of us also have dear friends and/or family there. The scale of this event has and will continue to affect thousands of people, and survivors in Japan are likely to need our assistance in the months and perhaps years ahead.
NCECA has received a number of e-mails following the terrible events that have transpired as a result of the earthquake and tsunami. NCECA includes great numbers of engaged and responsive individuals that do remarkable work in their communities every day. It is not so surprising then to observe the speed, tenacity and creativity that have emerged in the hours and days following the disaster.
In response to inquiries and calls to action received from our membership NCECA reached out to CERF+ to see if they could provide any guidance on charitable action and giving. One resource which they hoped to share with NCECA's membership is the Network for Good's list of first responders. CERF+ has also put feelers out to the arts community in Japan about artists and cultural workers who could use our support further down the line and NCECA plans to keep membership informed about what they uncover.Through personal e-mails from friends in Japan and following the mainstream media and blogs, a great deal of confusion persists on how those of us far from the loss and damage can best provide assistance to the people most affected. At this time, many of the agencies and NGOs collecting donations are not yet authorized by the Japanese government to provide aid where it is needed. For this reason and at this moment, although some members have suggested they would like to see NCECA launch a new initiative at the upcoming conference, it has been determined that it would be too late to do it well and too soon to provide adequate clarity about how the money would be put to appropriate use.
NCECA does want to call its membership's attention to Handmade for Japan which is a project launched last week by Ayumi Horie. She, Ai Kanazawa Cheung, and Kathryn Pombriant Manzella have mobilized to solicit, promote, and auction handmade pieces of art generously donated by talented artists throughout North America and Japan to raise money through an online auction on March 24-27 for relief efforts to assist the victims of Japan's catastrophic earthquake, tsunami, and nuclear emissions. Previews of the auction items will are available in English and Japanese through Facebook pages and Twitter updates. All inquiries in either language should be sent to handmadeforjapan@gmail.comThe initiative received some wonderful coverage last week through a New York Times blog. Handmade for Japan states that 100% of all net proceeds collected via the auction will be donated to Global Giving's Earth and Tsunami Relief Fund. The auction will begin on eBay on Thursday, March 24th and end on Sunday, March 27th. Auction items will be listed under the "Handmade for Japan" seller ID, and NCECA encourages its members and followers to view and bid generously.NCECA will continue to update its organizational Facebook page with a links to ceramic-centric events like Handmade for Japan that have the goal of providing resources for Japanese disaster relief.
Additionally events developed by NCECA members can also be posted on the NCECA website so long as sales are geared towards charitable relief.
Additionally, following the event in Tampa, NCECA will donate a percentage of proceeds from the conference onsite merchandise sales to a relief effort.This crisis is not one that will soon be resolved. The people of Japan, including those working in ceramic arts and education are likely to be in need of kindness and support for the foreseeable future. Given the nature and scale of the concerns, NCECA's board will consider additional efforts following the conference in Tampa, possibly for the 2012 conference in Seattle. Thank you to all whom following this event, shared ideas and information about how NCECA can respond in the midst of this critical time.
Thursday, March 17, 2011
Craft Perspectives Lecture - Tonight @ MoCC
Fiber Over Time: From the Sixties to Now
March 17, 6:30 pm
The Lab at Museum of Contemporary Craft
724 NW Davis St.
Museum of Contemporary Craft and the MFA in Applied Craft and Design host Elissa Auther for a public lecture titled "Fiber Over Time: From the Sixties to Now" providing insight into Laurie Herrick: Weaving Yesterday, Today and Tomorrow, which opens the same day.Drawing on her recently published String, Felt, Thread: The Hierarchy of Art and Craft in American Art, Elissa Auther will discuss how Laurie Herrick's weavings fit in historically with the decades in which they were made. Auther is the founder of Feminism & Co.: Art, Sex, Politics, a program at the Museum of Contemporary Art Denver, that explores feminist social, political and artistic issues through creative forms of pedagogy. She is Associate Professor of Contemporary Art, University of Colorado at Colorado Springs.Learn more about Elissa Auther and Laurie Herrick: Weaving Yesterday, Today and Tomorrow.
Thursday, March 10, 2011
OPA General Meeting this Friday

Don't forget the General meeting this Friday, 3/11 at the Multnomah Arts Center. Potluck dinner will start at 6pm and the meeting will begin at 6:30pm. Bring a dish to share and don't forget to bring your own plate, bowl & cup - help us cut down on waste!
It is time to pick your booth for Ceramic Showcase, meet up with fellow potters and have a great time. It is always one of the most attended meetings of the year, so come on out.
Bill Sanchez, the Empty Bowls chair, is organizing an OPA group photo and would like everyone to bring a piece to hold up and then if you'd like, donate to Empty Bowls. Bill, Renee and Jeanne will be accepting donations. Donations are also being accepted for the "Queen of Cups" installation that will benefit our Clay in Education fund.
Ceramic Showcase takes place at the Oregon Convention Center April 29th, 30th and May 1st, 2011.
Friday, February 25, 2011
Workshop at MHCC
Mt.Hood Community College is proud to host Yoshihiko Yoshida a master potter from the Mino area in Japan. He will present visual images in the Visual Arts Theatre on the evening of May 27, 7:30. Yoshida will demonstrate his work in the ceramic studio on Saturday May 28th from 9:30 to 4:30. Contact lynn.horn@mhcc.edu to make a reservation for this one of a kind workshop. Yoshida was a student of National Living Treasure Arakawa.Prices are $35 Students and OPA members. $50 non member or non student.

